‘Parenting here entails checking the ingredients of teargas’: my return to Hong Kong

'Parenting Here Entails Checking The Ingredients Of Teargas': My Return To Hong Kong

Emma-Lee Moss, who attains music as Emmy the Great, on life, new motherhood and her divided birthplace

'Parenting Here Entails Checking The Ingredients Of Teargas': My Return To Hong Kong

It feels as if the entire world’s press is there, standing on the pavement outside the Foreign Correspondents’ Club. They’re in Hong Kong to cover the protests, but tonight, the Friday before National Day, they’re off responsibility. From the bottom of the hill, the bars of Lan Kwai Fong thrum reliably. There is an uneasy peace in the air, as though we all know that, three days from now, the long-running citywide demonstrations will reach a violent new apex.

I’ve walked this route hundreds of periods, and been a parade of different selves. I’ve been a teen trying to score 7-11 brew on the spot where Chungking Express was filmed. I’ve been a visiting novelist ordering beverages at the FCC bar. But now I am the mother and primary carer of a nine-month-old, and my time out has been negotiated. Quite frankly, I am dazzled by the world after 7pm. As I shuffle past the media crowd, I feel a pull, a yearning. In another life, I’d be there with them. When I moved back to Hong Kong in 2018, it was in search of stories about the strange, convoluted city I was born in.

I take the lift up to a wood-panelled room and join a table of thirtysomethings wearing plastic flower garlands. I am expecting to be the main event tonight, at the reunion of my primary school class. For nine years, I was the only mixed-race person at my local Cantonese school, where I was known widely as gweimui ( literally” ghost daughter “). Chinese school is where I developed a persist complex about not fitting in, and where, after being bullied, I fantasised that one day I’d do something so momentous it would appear in a newspaper, and my classmates would see that I was more than simply a girl with an English papa and a Hong Kong mum.

This thought was the founding brick of ambition that drove me to become a musician and novelist, under the name Emmy the Great. Now my wishing has finally come true, but with a caveat. I am at this reunion because someone watched an article about me in an arts magazine, but it wasn’t about any of my albums, or projects, or anything I’ve written. It was about what it’s like to have an English dad and a Hong Kong mum. Some 25 year later, this is still my most noticeable feature.

I look around the table, disoriented by faces I never expected to see again. Surely they will want to know about the amazing life I went on to lead! I prepare the necessary Cantonese vocabulary in my head.” After we left primary and secondary schools, I moved to East Grinstead, Sussex. In England, I wasn’t a white daughter any more. I was considered Chinese. In England, I had to assert over and over that I was British- still do. But I was so grateful for the grass and open space that I accepted this identity. I never expected to be back here in Hong Kong, a gweimui once more. And, suddenly, I’m a mother, too! I never sleep. I never go out. I’m caught between expat and Cantonese culture. I’m losing my intellect, actually. How are you ?”

But despite a morbid preoccupation with the incorrects perpetrated on me by a group of 10 -year-olds, I can’t keep my supposes from the topic of the moment. The city has been tense and uncertain since the first major demonstrations began in June, initially in response to a bill that would allow extraditions from Hong Kong to China, but now expanded to five demands, including universal suffrage and an independent inquiry into police conduct. Parenting has thrown up new challenges, like yell the council to ask for the ingredients of their teargas, and its effect on children. As each new weekend approaches, the population speculates. Will it be peaceful, or will it spill into violence? Will we wake to news that attains us tearful with pride for Hong Kong, or frightened by the scale of the escalation?

Tonight, as China gears up to celebrate its 70 th year as a republic, there is no doubt about which style the news will sway. Someone at the reunion says they are boycotting products from the mainland, including tea. Another, a tiny son who has inexplicably grown into an adult, says he won’t use the MTR metro system any more , now that it’s been accused of enforcing the government’s agenda by shutting down during protests. I spot an opening to admit that, the day the demonstrations began, I was in England, on tour. By the time I got back, teargas had become the stock police response, and my partner and I decided we wouldn’t attend demoes- in case we find ourselves incapacitated and unable to care for our daughter. Instead, I say nothing. I don’t tell them, either, that we are planning to leave Hong Kong for England when our daughter turns one, because I’m self-conscious about having one foot in Hong Kong, and one abroad. This is how it’s always been. It’s how they remember me. And, ever since the protests began, I am wondering if it induces me a part of the problem.


I can only tell you what I recollect. In 1994, Forrest Gump was the English-language film at every cinema for months. Every weekend, my parents would hurl their three children into a Volvo and drive to Pacific Place, a mall in the Admiralty district. We’d gratify our friends, expat families whose infants went to see international schools, at McDonald’s, where the kids would climb the Ronald McDonald in the playzone, until we were allowed to go to the CD store and pick out an album. Everybody wore Nikes and had a favourite WWE wrestler and Street Fighter move.

In 90 s Hong Kong, everyone could speak English, even taxi drivers like my Uncle Ron, who had crazy hair and had once cut a demo tape in a stoner-rock band. But my siblings and I spoke Cantonese, too. On the weekends that we didn’t see our friends, we had dim sum with my mum’s family: Auntie Dora, Uncle Sam and Uncle Ron; my two older cousins, too, one of whom has now been taken a new English name, Michael Jordan Lee.

Moss - 'Parenting Here Entails Checking The Ingredients Of Teargas': My Return To Hong Kong
Moss with her grandmothers, 1988. Photograph: courtesy Emma-Lee Moss

American basketball, Japanese anime, Oxbridge aspirations. In Hong Kong- where the phrase” east satisfies west” is so overused that I’ve seen it advertising a shampoo parlor for puppies – you were at the centre of the world town, a place where global capitalist culture could run unfettered, dominating the rituals and oddities of the Chinese way of life. Watching over everything is was benevolent, late-stage British colonialism; its influence oozed into everything, from the names of English lords on road signs, to the ” Chinglish” that pervaded the local Cantonese dialect. Hong Kong’s last governor, Chris Patten, was vaguely popular, his final approval ratings still higher than any subsequent leader. It was China that we feared and felt distinct from, even as schoolchildren.

As the transfer of sovereignty in 1997 approached, the expat families began discussing their various plans to leave. Many had one parent who was from Hong Kong, and one from abroad. The handover was an obvious deadline to fulfil any aspirations of living in” the other place”, where you went to visit your grandparents. Our closest family friends went to Australia, Singapore, Germany and Texas. When the day came that the British flag was folded up, and the People’s Liberation Army marched in, we were already scattered various regions of the world, watching on TV while our mothers cried. I didn’t see my best friends, Dan and Ash, again until I was 18. Today, when I text them images of Pacific Place filled with protesters, they joke:” Forrest Gump tickets released again ?”

Looking back, it’s easy to view 1997 as a year of mass exodus from the city, a few moments marked by the loss of foreign professionals( who are still inexplicably “expats” while other temporary workers are “migrant workers” ). But to do that would be to ignore the vast majority of Hong Kong people, who are Hong Kong-born Chinese, speak Cantonese as a first language and were not offered British passports by the departing government. They include my uncles, my aunt, my cousins, my classmates. There are also the minority ethnic groups who are as rooted in Cantonese culture as Hong Kongers. For families like mine, the handover was an opportunity to start again. For those who remained behind, it was the beginning of a period of uncertainty. The Basic Law- a de facto constitution- promised Hong Kong” a high degree of independence” for 50 years. This created, in principle, a liminal day between British and Chinese regulation during which the question” Who are we ?” became crucial and explosive.

In his volume Generation HK, on the young Hong Kongers who came of age in the post-9 7 period, the journalist Ben Bland describes the end of British rule as leaving an” identity vacuum “. In fact, the end of the colonial epoch also left an opportunity for Hong Kongers to regroup, to allow Hong Kong-Chinese culture to lift itself from the shadows, and to look back and ask what of the city’s history would be preserved, and protected, before it was absorbed into the mainland.

Today, you can’t take a step without hearing the phrase:” This is the real Hong Kong .” It is a thought that emerges when you find yourself in an alleyway populated by street vendors selling milk tea from polystyrene cups; when the lighting begins to drop over Aberdeen harbour( in Cantonese, Little Hong Kong) and a fisherwoman steers her craft, one hand on her Samsung Galaxy; when teenage couples hold hands at the entrance to Ocean Park( real Hong Kong ), the amusement park that was never defeated by the arrival of Disneyland( not real Hong Kong ). It is an inescapable concept, as tangible as rain, all the more sweet for the fear that it will soon slip away.

For Hong Kongers today face inordinate pressure that goes beyond the cliff edge of 2047. The high live costs associated with its status as a haven for the wealthy have led to an ever-widening gap between rich and poor, which determines its most extreme expression in” enclosure homes” for those who cannot afford housing. Meanwhile, whenever Beijing’s influence creeps beyond the promises of the Basic Law, it hurls up ambiguities in its wording. The impact is like gaslighting: are we crazy? Or are our liberties being eroded?

The quest for post-colonial identity is something that enticed me back to Hong Kong in late 2017. That spring, I had expended a month in Xiamen as part of a British Council scheme, and the effort to communicate in Mandarin( which, it is about to change, I don’t speak ), had somehow unlocked all the Cantonese I’d stored up from my childhood. I was dreaming in Cantonese, and felt a longing to be back in Hong Kong, to see the lanterns at the Mid-Autumn festival.

My parents, sister and nephew had been back in the city for some time. As well as this, there was a person. While in transit from Xiamen, I had met a British artist who worked at one of the international galleries. We had bonded over our scattered thirties and our love of English woodlands. That Mid-Autumn, we began an adventurous period of walking through the city at twilight, the time when the sunlight bouncings off the buildings like mermaid scales in the wind.

It was three years since the Umbrella Revolution and Occupy Central. You’d be forgiven for thinking that the civil unrest had dissipated. Instead, I sensed a defiance in Hong Kong and connected it to the arts. Venues had been shut down by strict building regulations, and lifestyle restrictions that induced earning money from music almost impossible, and yet, as the indie DJ Wong Chi Chung told me, there were more than 800 indie bands based in Hong Kong. Improvisation was key: wall murals around unexpected corners, rooftop farms, pop-up art spaces in old factories. It was a place fighting to find itself, asserting its right to be. It was increasingly where my heart belonged.

In January 2018, I decided to return to Hong Kong. My flight arrived in March. Forty weeks later, my partner and I checked into the hospital where I was born, and I dedicated birth to our daughter.


” Does anyone is of the opinion that the city’s flaws are their own fault ?” This is the question that nobody hurls me in the support group for women with postnatal depression and nervousnes; in the free playgroup run by friendly septuagenarian churchfolk; in the parenting WhatsApp groups and in the void of the mums’ Facebook pages where I have stooped to scrolling for hours through ads for baby products.

Some 18 months after I arrived here Hong Kong, my quest to understand it has mutated into something terrible. It’s the not-sleeping that did it, I guess. Or those submerged baby memories that abruptly appear in your thoughts when you’ve just had a baby, disorienting enough without the realisation that you’re unexpectedly in the place where you spent that infanthood.

Emma-Lee - 'Parenting Here Entails Checking The Ingredients Of Teargas': My Return To Hong Kong
‘ Hong Kong was increasingly where my heart belonged .’ Photograph: Theodore Kaye/ The Guardian

I remember bumping into a friend in London, who had just had a baby and was moving back to Finchley, where she grew up. “ Finchley ,” she’d groaned, like Persephone on her route to suburban hell. Now I know how she felt. You are my Finchley, I scream at Hong Kong, mutely.

On a baby’s schedule, you are stripped of the things that construction you who you are. Hong Kong, which should feel familiar but doesn’t, contains none of the touchstones I need as my identity slips into the blank of what the poet Liz Berry describes as “feedingcleaninglovingfeeding”. I look around and find my first home with the bleakest gaze. I assure pollution that threatens my baby’s lungs and stops us going outside for days. I watch expensive housing that drew us to an industrial estate in the middle of nowhere, where our route to the playground takes us through a construction site and past a sewage treatment plant. I place my family in this picture. Were we and the others who left not the prime beneficiaries of the sunny 90 s, before unfettered capitalism and political change took its toll? Every time we fly away, we are opting out of the consequences.

In this new, dark Hong Kong, my uncles are run, having both passed away while we were in England. No sweet Uncle sam , nor Uncle Ron in his emerald green taxi. In motherhood, I come up against uncomfortable aspects of the culture I shared with them. There is the culture preoccupation with postpartum weight loss, which results a nurse to praise me when I lose too much weight in the first week of breastfeeding. There are the rigid ideas of what motherhood is like: installing an art piece I worked on with the data journalist Mona Chalabi, my two-week-old in her sling, the technician tells me that I should be at home, in imprisonment. Yet, when I hear expats complaining about such difficulties, I am angry. I cannot let myself relate to them; it feels like cheating on my relatives. In the space between my two demographics, I see how divided the city can be. There are gulfs of speech, gulfs of experience. Varying privileges are doled out are in accordance with nationhood.

In the 20 th weekend of protests, graffiti appears on the mountainside:” If we burn, you burn with us .” My writer’s brain watches how Hong Kong and I are in tune. We know how pressure can take a search for identity and turn it into a full-blown identity crisis.

Protest - 'Parenting Here Entails Checking The Ingredients Of Teargas': My Return To Hong Kong
Protest graffiti in Causeway Bay, 8 November. Photograph: Emma-Lee Moss

In early November, a student dies from injuries sustained while dropping from a car park in unexplained circumstances. In the eruption that follows, “there arent” easy conclusions left. Protest schedules are abandoned, school is cancelled. There is no playgroup. There is no subsistence group for women with postnatal depression and nervousnes. The total number of teargas canisters fired reachings10, 000. My partner is teargassed stepping outside his office in the day, to check if the street is safe for my honourable colleagues. Universities become battlegrounds. At the Polytechnic University, schoolchildren are among those caught inside the campus for days when the police seal off the exits. Then pro-democracy nominees win a landslide majority in district council elections, and there is a respite from conflict. As new councillors get to the urgent task of freeing the final Poly U students, the city wonders what else this national mood will achieve.

Medics - 'Parenting Here Entails Checking The Ingredients Of Teargas': My Return To Hong Kong
Medics leading protesters to ambulances at the Polytechnic University, on 21 November. Photograph: Ye Aung Thu/ AFP via Getty Images

In the midst of this, my time in Hong Kong is drawing to an objective. I reflect on everything it has meant, this second time around. This precious period with my parents, the answers to old questions. My relationship and my daughter. In the rawness of new parenthood, and the chaos of the last few months, I almost missed the gifts that Hong Kong gave me, the healing it offered. Even in these awful times, there is a sense of the possibilities in community- my old schoolfriends and I are no longer distant in our communications. We have become simply another group of mothers worried about the rumours of harmful chemicals in the teargas.

I’ve learned here that you don’t know if people or places will return to your life. You also don’t know when they won’t; I thought I’d make a final visit to the village where I grew up, but it’s next to the Chinese University in Shatin, the site of another major conflict between students and police. I guess this is the fear that follows everyone in Hong Kong today. When the smoke clears, what, if anything, will remain intact? In this place of many living and many rulers, how many times must we say goodbye?

* If you would like a comment on this piece to be considered for inclusion on Weekend magazine’s letters page in publish, please email weekend @theguardian. com, including your name and address( not for publication ).

Read more: www.theguardian.com

'Parenting Here Entails Checking The Ingredients Of Teargas': My Return To Hong Kong
'Parenting Here Entails Checking The Ingredients Of Teargas': My Return To Hong Kong
'Parenting Here Entails Checking The Ingredients Of Teargas': My Return To Hong Kong
'Parenting Here Entails Checking The Ingredients Of Teargas': My Return To Hong Kong
'Parenting Here Entails Checking The Ingredients Of Teargas': My Return To Hong Kong

'Parenting Here Entails Checking The Ingredients Of Teargas': My Return To Hong Kong

'Parenting Here Entails Checking The Ingredients Of Teargas': My Return To Hong Kong

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